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Derriere Le Miroir No. 158-159 "La Revue Blanche" Lithogrpahs

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Item Overview

SKU: 12300
Artist/Maker: Toulouse Lautrec, Bonnard, Vuillard, Roussel, Seurat, Maurice Denis.
Year: 60's
Medium/Material: paper
Condition: Very good (A-) (Determining Condition)
Height: 38cm  (14.96in.) Width: 30cm (11.81in.)

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Derriere Le Miroir No. 158-159 "La Revue Blanche" Lithogrpahs

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Derrière le Miroir: 1946-1982. 253 editions, 200 volumes. Published by Aimé Maeght Welcome to Perry Gallery. The volume you’ve selected is a first edition of the prestigious Derrière le Miroir (DLM) art magazine, published in Paris from 1946 to 1983. Each volume combines the original and reproduction lithographs of a particular artist with prose and poetry by contemporary writers. The magazine was not bound, but rather featured loose prints and pages of text in a soft-cover lithograph wrapping. All volumes were published by Maeght Editeur, Paris. Derriere Le Miroir 158-159 La Revue Blanche Issue nº: 158-159 Issue date: April - May 1966 Physical contents: Total 23 pages with 5 color lithographs and B&W illustrations of work of Toulouse Lautrec, Bonnard, Vuillard, Roussel, Seurat, Maurice Denis. Artist: Toulouse Lautrec, Bonnard, Vuillard, Roussel, Seurat, Maurice Denis. Texts by: Annette Vaillant Measurements: 11” x 15”/ 30x38cm Condition: Wrapping – Very good with slight signs of handling from age. Spine in tact but has holes and small tears on both ends. Contents – Very good with very mild toning. Complete as issued. About Derrière le Miroir Derrière le Miroir’s 36 years of publication saw the many of the 20th century’s greatest artists submit their works to the magazine. Each issue of the magazine featured one artist’s original lithograph along with multiple reproductions. Their works were set alongside the poetry of France’s great writers of the same period. Artists featured include Braque, Calder, Chagall, Chillida, Giacometti, Léger, Matisse, Miro and Tapies. That their works were juxtaposed to the writings of such great thinkers as Aragon, Beckett, Char, Eluard, Prévert, Queneau, Reverdy and Sartre, ensured that the magazine would find itself a special place in the annals of art publications as the cross-roads of art both visual and verbal.

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